It’s a good feeling to finally finish these two mokuhanga prints
and be able to move onto the next project.
The two different text blocks were particularly challenging for me to carve.
Not only was the carving
process tedious and physically painful, but the writing is that of my mothers.
Having to trace and retrace, and then spend months carving her handwriting
was a somewhat cathartic experience.
She was never fond of her handwriting so I found it endearing that
this found poem that she had written down, was done on lined
paper and in her best hand.
After doing an online search, I discovered the poem is actually
a song by Mahalia Jackson. I never heard it, and certainly didn’t know that she liked this song,
but the words clearly had meaning to her.
The silhouette images are of me and my parents
taken from photos that my dad took somewhere around 1960.
Each print is 12″ X 24″, an edition of three and
printed on Nishinouchi washi.